FILM ARCHAEOLOGY | 180 MINUTES | DRAMA 2024 - 2025 BRITTANY DOWDEN, SURFER. SURFER AND ACTIVIST PRESERVATION OF UNDERWATER ARCHAEOLOGICAL HERITAGE, HAS A LESS TECHNICAL AND MORE INTELLECTUAL PROFILE COMPARED TO KAREN. She is a character who chooses not to conflict with the system, with corruption. She chooses to form local partnerships with other surfers at Macumba beach in Rio de Janeiro and take care of refugees arriving at the Brazilian coast, in addition to her work as an underwater archaeologist. In the film's script, Brittany describes what Underwater Archaeology is in Brazil, aiming to bring to the cinema many myths that were created about shipwrecks and the technologies used. She is a woman involved with surfers, but she is also a sophisticated woman, putting an end to the myth of the relaxed and inelegant female archaeologist.
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FILM ARCHAEOLOGY | 180 MINUTES | DRAMA 2024 - 2025
BRITTANY DOWDEN, SURFER.
SURFER AND ACTIVIST
PRESERVATION OF UNDERWATER ARCHAEOLOGICAL HERITAGE, HAS A LESS TECHNICAL AND MORE INTELLECTUAL PROFILE COMPARED TO KAREN. She is a character who chooses not to conflict with the system, with corruption. She chooses to form local partnerships with other surfers at Macumba beach in Rio de Janeiro and take care of refugees arriving at the Brazilian coast, in addition to her work as an underwater archaeologist. In the film's script, Brittany describes what Underwater Archaeology is in Brazil, aiming to bring to the cinema many myths that were created about shipwrecks and the technologies used. She is a woman involved with surfers, but she is also a sophisticated woman, putting an end to the myth of the relaxed and inelegant female archaeologist.
BRITTANY DOWDEN, SURFER.
SURFER AND ACTIVIST
PRESERVATION OF UNDERWATER ARCHAEOLOGICAL HERITAGE, HAS A LESS TECHNICAL AND MORE INTELLECTUAL PROFILE COMPARED TO KAREN. She is a character who chooses not to conflict with the system, with corruption. She chooses to form local partnerships with other surfers at Macumba beach in Rio de Janeiro and take care of refugees arriving at the Brazilian coast, in addition to her work as an underwater archaeologist. In the film's script, Brittany describes what Underwater Archaeology is in Brazil, aiming to bring to the cinema many myths that were created about shipwrecks and the technologies used. She is a woman involved with surfers, but she is also a sophisticated woman, putting an end to the myth of the relaxed and inelegant female archaeologist.
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