Style C.E.Thompson

Postagens

ANGEL ELIXIR MARAJOARA — Poema Coreográfico e Luminotécnico Carlos Eduardo Thompson Criação inspirada na Cultura Indígena Brasileira da Ilha de Marajó no Norte do Brasil Duração total: 10 a 12 minutos Interpretação: solo masculino (ou grupo em espelhamento) Música: eletrônica ambiente / experimental, com variações texturais de 60 a 110 BPM

outubro 29, 2025

ANGEL ELIXIR MARAJOARA — Poema Coreográfico e Luminotécnico Carlos Eduardo Thompson Criação inspirada na Cultura Indígena Brasileira da Ilha de Marajó no Norte do Brasil Duração total: 10 a 12 minutos Interpretação: solo masculino (ou grupo em espelhamento) Música: eletrônica ambiente / experimental, com variações texturais de 60 a 110 BPM ATO I — O DESPERTAR (“A molécula respira”) Iluminação: Luz azul pálida, vinda de baixo, em feixes difusos. Haze leve (neblina cênica). Fade in de 30 segundos. Música: Frequência grave contínua (baixo pulsante, BPM ~60). Sons de respiração, ecos líquidos, reverberações. Movimento: O corpo ainda adormecido no chão. Pequenas contrações no abdômen e nos ombros, sincronizadas com o som. Dedos exploram o espaço como sensores. Elevação progressiva, da base até o eixo central, mantendo o olhar baixo. Tempo corporal: Adagio. Intenção: o corpo nasce do perfume e do barro — o ar se torna matéria. ATO II — O ESPELHO E A PELE (“Fragmentos de refl...

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NOVGOROD KREMLIN COLLECTION C.E. Thompson | Winter 2026 Moscow. Rio. Helsinki. Shanghai. In the frozen mists of the 9th century, on the banks of the Volkhov River, Novgorod stood as a vibrant crossroads — a northern hub where the Norse met the Slavs, where fur, iron, and faith traveled along the Varangian route from Scandinavia to Byzantium. But history, as rewritten by empires, tried to erase that origin. The Viking heart of early Rus’ was buried beneath layers of imperial narrative — a deliberate silence, an aesthetic amnesia. The Novgorod Kremlin Collection resurrects that forgotten pulse. Chainmail becomes fabric. Runes reappear as embroidery. The silhouette of the warrior merges with that of the wanderer, the trader, the mystic. Every stitch is an act of remembrance — an excavation of a shared past hidden under centuries of snow and ideology. C.E. Thompson revisits the frozen North not as nostalgia, but as confrontation: what does it mean to wear what history tried to erase? Textures of wool, metal, and untreated leather meet sculptural tailoring and fractured symmetry. The palette recalls oxidized iron, birch bark, and river ice — an homage to a landscape of endurance. From Moscow to Rio, Helsinki to Shanghai, Novgorod Kremlin becomes more than fashion — it is a reclamation of erased historicities, an aesthetic archaeology of the global North and its buried narratives.

outubro 27, 2025

NOVGOROD KREMLIN COLLECTION C.E. Thompson | Winter 2026 Moscow. Rio. Helsinki. Shanghai. In the frozen mists of the 9th century, on the banks of the Volkhov River, Novgorod stood as a vibrant crossroads — a northern hub where the Norse met the Slavs, where fur, iron, and faith traveled along the Varangian route from Scandinavia to Byzantium. But history, as rewritten by empires, tried to erase that origin. The Viking heart of early Rus’ was buried beneath layers of imperial narrative — a deliberate silence, an aesthetic amnesia. The Novgorod Kremlin Collection resurrects that forgotten pulse. Chainmail becomes fabric. Runes reappear as embroidery. The silhouette of the warrior merges with that of the wanderer, the trader, the mystic. Every stitch is an act of remembrance — an excavation of a shared past hidden under centuries of snow and ideology. C.E. Thompson revisits the frozen North not as nostalgia, but as confrontation: what does it mean to wear what history tried to erase? Textu...