Style C.E.Thompson

CLOSE-UP NO QUADRIL DE KATHLEEN MOSTRANDO A HORA EM SEU CARTIER COM SAIA DIOR. KATHLEEN MCGRAW, CONTINUA O DIÁLOGO. A sensação de não assinar não me impede de dizer ao meu povo que os amo. E eu amo também, quem eles e eu fazemos ou não ha nós mutualmente… Esse equilíbrio é uma de suas heranças. A mitocôndria. 1.20. KATHLEEN COMEÇA A SE DESPIR LENTAMENTE.  

FILM" ARCHAEOLOGY" | 180 MINUTES | 2024 - 2025 DRA. HEINRICH, ARCHAEOLOGIST (DESERT WITCH). ARCHAEOLOGY ACTIVIST ON THE PUBLIC ARCHAEOLOGY. SHE IS NOT A FEMINIST. SHE IS PERSECUTED BY LARGE MULTINATIONAL COMPANIES IN MINING, CONSTRUCTION, LARGE RURAL LANDOWNERS, CORRUPT MANAGERS OF THE HERITAGE AND LIKE ANY EXPERIENCED ARCHAEOLOGIST SHE PREFERS TO BE INDEPENDENT AND STAY CLOSE TO THE MARGINALIZED.  

ARQUEOLOGIA | STORYBOARD 1.8 CUT TO 1.9: 1.9. KATHLEN MACGRAW ACENDE O CIGARRO E SE DEITA. A invenção de Jesus Cristo foi um plano político, um dos maiores pactos faustianos da história. Todo mundo sabe disso. O mundo inteiro prefere acreditar no mito. As pessoas escrevem e escreveram a história de acordo com seu interesse em manter o poder. Feliz sendo a Alta Sacerdotisa e a Papisa e DJ Wortmann, quebrou isso.  

  FILME ARQUEOLOGIA | STORYBOARD 1.8. KATHLEEN MCGRAW (CONT.) KATHLEN MACGRAW TIRA UM CIGARRO DO BOLSO DE SUA JAQUETA DE COURO PRETA E LEVA O CIGARRO À BOCA SEM LUZ. APENAS O REFLEXO DO FOGO EM SEU ROSTO. O Credo tornou-se a profissão de fé cristã, resumindo suas principais crenças. A crença em um só Deus em três pessoas da mesma natureza. O Deus Pai, Jesus Cristo, seu Filho e o Espírito Santo. A crença na encarnação humana de Jesus, sua morte e ressurreição. A crença em um julgamento final no fim do mundo. Crença na santidade da Igreja e batismo para o perdão dos pecados.

  FILME | ARQUEOLOGIA | STORYBOARD | 180 MINUTOS | DRAMA | 2024 - 2025 CUT TO: 1.2. CAI UMA NEVE DOURADA DENTRO DA AGÊNCIA. TODAS AS MULHERES ESTÃO VESTINDO ROUPAS FUTURISTAS E SENSUAIS , APARENTANDO BOM-GOSTO E SENSO ESTÉTICO.

FILM ARCHAEOLOGY | 180 MINUTES | DRAMA 2024 - 2025 BRITTANY DOWDEN, SURFER. SURFER AND ACTIVIST PRESERVATION OF UNDERWATER ARCHAEOLOGICAL HERITAGE, HAS A LESS TECHNICAL AND MORE INTELLECTUAL PROFILE COMPARED TO KAREN. She is a character who chooses not to conflict with the system, with corruption. She chooses to form local partnerships with other surfers at Macumba beach in Rio de Janeiro and take care of refugees arriving at the Brazilian coast, in addition to her work as an underwater archaeologist. In the film's script, Brittany describes what Underwater Archaeology is in Brazil, aiming to bring to the cinema many myths that were created about shipwrecks and the technologies used. She is a woman involved with surfers, but she is also a sophisticated woman, putting an end to the myth of the relaxed and inelegant female archaeologist.  

FILM" ARCHAEOLOGY" | 180 MINUTES | DRAMA 2024 - 2025 LAURA STOCKER, BRAZILIAN SENATOR. A FRIEND OF THE PRIME MINISTER OF BRAZIL, SHE FEELS DESIRE AND ENVY AT THE SAME TIME. SHE IS A WOMAN WHO LIVES OF THE SOCIAL ISSUES FROM BRAZIL AND THE SAME TIME TO YOUR SEXUAL PLEASURE. SHE'S A FREE WOMAN. VALUES HER WORK AND WHO KNOWS HOW TO DO IT IN AN IMPECCABLE WAY. SHE FACES THE MOST DIVERSE OBSTACLES IN HER PERSONAL LIFE FOR BEING TOO POLITICAL AND NOT TOO TECHNICAL AS A SENATOR.  

FILM ARCHAEOLOGY | 180 MINUTES | 2024 - 2025 DIRECTOR OF THE RIO NATIONAL MUSEUM. WOMAN OF GREAT CULTURE, EDUCATION, WHO ASSUMES RESPONSIBILITY FOR DEALING WITH THE EGOS OF SCIENTISTS, AND DIRECTOR OF THE LARGE MUSEUM IN THE SOUTHERN HEMISPHERE, SHE MAKES FRIENDS WITH PAPISE AND DJ WORTMANN, WHO DISCUSS HOW GOD WAS INVENTED AND ALONG DISCUSSION THROUGH A DIALOGUE ON THE RELATIONSHIP OF ARCHAEOLOGY WITH RELIGION that I classify as an “artisanal” character, distinct from an industrial cinema and even an independent cinema. The apparent precariousness of conceptual aspects of the speech and thinking of the DIRECTOR OF THE NATIONAL MUSEUM OF RIO is a text for reflection, because despite the DIRECTOR OF THE NATIONAL MUSEUM OF RIO appearing almost at the end of the film, she poses exactly the questions that 99.9% of the population of the world fears: the inexistence of God and the character puts in front of the spectator themes that he is afraid to think about. IT IS HERE THAT THAT SPECTATOR...

CENA 1. | 1.1 | LONGA-METRAGEM" ARQUEOLOGIA" 180 MINUTOS (... ) UMA MOTORISTA SUSPEITA ESTÁ ANALISANDO A ESTAÇÃO COM UMA ARMA NA MÃO (... )  

ARQUEOLOGIA Carlos Eduardo Thompson FADE IN: CENA 1. (…) MULHERES MANOBRISTAS COM OLHOS CINZA AZULADOS ENTRE 20 E 30 ANOS CORREM PARA CIMA E PARA BAIXO NAS ESTRADAS DA AGÊNCIA ESPACIAL. AS MULHERES NÃO PARECEM FESTEIRAS. SÃO TODAS MULHERES, EM SUA MAIORIA SÉRIAS, MULTIÉTNICAS.UMA VISÃO EMBAÇADA DA ÁREA DE UMA MANOBRISTA É REVELADA POR UMA VARREDURA REPENTINA. INVERTEMOS A CENA PARA VER UMA BMW SÉRIE 1. O CARRO ESTÁ PARADO. SEM MOTORISTA. — ESTAÇÃO ESPACIAL DA AGÊNCIA DE ARQUEOLOGIA ESPACIAL — NOITE (…)  

  ARQUEOLOGIA Carlos Eduardo Thompson FADE IN: CENA 1. PERSONAGENS: KATHLEN MACGRAW, PRIMEIRA MINISTRA DO BRASIL LAURA STOCKER, SENADORA BRASILEIRA, LAYA ACENTRAL DE 14.000 ANOS OU 14.000 BP, JOANINA HAMMANN, TERRORISTA E EX-MODELO E CIBORGUE INT. KATHLEN MACGRAW, A PRIMEIRA MINISTRA DO BRASIL, LAURA STOCKER A SENADORA BRASILEIRA, LAYA ACENTRAL DE 14.000 ANOS OU 14.000 BP, E JOANINA HAMMANN A TERRORISTA E EX-MODELO E CIBORGUE UMA AGÊNCIA ESPACIAL QUE ORBITA NO ESPAÇO GIGANTESCA, MODERNA, REPLETA DE MULHERES FUNCIONÁRIAS VESTIDAS DE COURO PRETO. AS LUZES FICAM BORRADAS NO TIPO DE NEBLINA QUE ENTRA NA AGÊNCIA QUE PARECE UMA NÉVOA MARINHA. NOS CORREDORES QUE PARECEM ESTRADAS QUE SE CRUZAM no COMPLEXO ARQUITETÔNICO AS PESSOAS ESTÃO SILENCIOSAMENTE PEGANDO E ESTACIONANDO (DIRIGINDO PARA ESTACIONAR) CARROS CAROS QUE TROUXERAM DA TERRA. MULHERES MANOBRISTAS COM OLHOS CINZA AZULADOS ENTRE 20 E 30 ANOS CORREM PARA CIMA E PARA BAIXO NAS ESTRADAS DA AGÊNCIA ESPACIAL. AS MULHERES NÃO PARECEM...

ERIKA STRASSBURGER, ARCHEOLOGIST, IS AN ARCHEOLOGIST WITH SKILLS IN REMOTE SENSING AND SPATIAL ARCHAEOLOGY, AN EMERGING ARCHAEOLOGY, A SUBJECT CREATED BY AUSTRALIAN ARCHEOLOGIST ALICE GORMAN IN 2018, so I thought it was important for this character to promote a debate on this topic because it involves the destruction of the cosmovision of hundreds of indigenous groups near the bases on the Equator. ERIKA is an archaeologist who opted for space geotechnologies and was not accepted by other archaeologists. This happened to me and this character is a denunciation I make against the lack of vision in Archaeology, turned into a commodity. ERIKA is a character whose ideals have been amputated by the State. FILM : ARCHAEOLOGY | Carlos Eduardo Thompson DRAMA | FICTION | 120 MINUTES  

PAPISE AND DJ WORTMANN. SHE DIVIDES THE GOODS OF THE CHURCH, DENOUNCES THE INEXISTENCE OF JESUS CHRIST AND SEVERAL LIES THAT HISTORY CREATED FOR THE MAINTENANCE OF CONTROL BY FEAR AND MAINTENANCE OF POWER. AS THE PRIME MINISTER OF BRAZIL, SHE ALSO WANTS TO BE A WOMAN AND LIVE INTENSELY AND CHOOSE TO BE A DJ WHO PERFORMS ON IPANEMA BEACH AND IN THE NIGHT OF RIO DE JANEIRO IN BRAZIL CONVICTING WITH ALL THE DIASPORA OF BRAZIL. PURPOSELY THE TEXT, THE CHARACTER'S SPEECH DOES NOT MAKE IT CLEAR HOW LONG IT HAS BEEN AND THE AESTHETICS OF THIS CHARACTER'S TEXT IS A PHILOSOPHICAL DIVE INTO REAL FACTS. FILM ARCHAEOLOGY | Carlos Eduardo Thompson DRAMA | FICTION | 120 MINUTES 2024 | 2025  

  KATHLEEN MCGRAW, PRIME MINISTER OF BRAZIL. SENSUAL WOMAN, LOVED BY SOCIETY, IS A WOMAN WHO CAN PERFORM HER DUTIES WITHOUT GIVING UP PLEASURE, HEDONISM. SHE MAY SEEM LIKE A WOMAN WHO LIVES FOR PLEASURE – FUTILE – BUT IS IN CONTROL OF THE SITUATION, DESPITE BEING CONTRADICTORY LIKE ANY LEADER. ART FILM ARCHAEOLOGY, 180 MINUTES. 2024 | 2025 DRAMA Carlos Eduardo Thompson