NOAMI FULL MOON | Carlos Eduardo Thompson SCENE 1. DAY - INT. CUT TO : CON'T SCENE 1 . DAY - INT . CAMERA SHOT ON NAOMI ON THE FLOOR . EYES FIXED ON THE BAR ALONE . NAOMI Speak of these American woman arms that wrapped around the man that I found in Rio. Strong and sensual arms. Tell them that I was one who loved not wisely, but far too well that-that I was never afraid to wear my heart on my outfit and I adore the things my wife will one day hate about herself, tell them ...tell them I picked up my son every single day and I told him that he was a miracle. That my pleasure had the spine of a daffodil and gleaming pearls, my iris’s. Tell them I kept it real! Tell them that I kept it funky! Tell them that I kept it 100! That I kept it “G’d up from my feet up”! That I was, “Real rap raw, in the flesh!” That I “RARRR RARRR LIKE A DUNGEON DRAGON!” That they tried to lock me, they tried to lock me in a cage! And I regurgitated bars, behind bars, behind bars! Like-like, “Rhyming is the fight in me! Devil tried to lie to me! Dancing in my brain, clip, boom! That’s lobotomy! Poetry is powerful! My homies on the side of me saving lives (slowing down), being kings, loving all the God in me! Tell them…



NOAMI FULL MOON | Carlos Eduardo Thompson

SCENE 1. DAY - INT.
CUT TO :

CON'T SCENE 1 . DAY - INT . CAMERA SHOT ON NAOMI ON THE FLOOR . EYES FIXED ON THE BAR ALONE .

NAOMI


Speak of these American woman arms that wrapped around the man that I found in Rio. Strong and sensual arms. Tell them that I was one who loved not wisely, but far too well that-that I was never afraid to wear my heart on my outfit and I adore the things my wife will one day hate about herself, tell them ...tell them I picked up my son every single day and I told him that he was a miracle. That my pleasure had the spine of a daffodil and gleaming pearls, my iris’s. Tell them I kept it real! Tell them that I kept it funky! Tell them that I kept it 100! That I kept it “G’d up from my feet up”! That I was, “Real rap raw, in the flesh!” That I “RARRR RARRR LIKE A DUNGEON DRAGON!” That they tried to lock me, they tried to lock me in a cage! And I regurgitated bars, behind bars, behind bars! Like-like, “Rhyming is the fight in me! Devil tried to lie to me! Dancing in my brain, clip, boom! That’s lobotomy! Poetry is powerful! My homies on the side of me saving lives (slowing down), being kings, loving all the God in me! Tell them…

 

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IMPROFEST ARCHAEOLOGY NO.1 HARTMANN & THOMPSON FASE 1 Hartmann & Thompson Artes Cênicas Apresentação ou Performance de Teatro Artigo 18 PRONAC 2416847 4 Espetáculos de Performances de forma Presencial , Sítio Eletrônico , Seminário sobre Teatro e Arqueologia , E-Book . 100 % de Gratuidade . RIO DE JANEIRO IMPROFEST ARCHAEOLOGY NO.1 | HARTMANN & THOMPSON | FASE 1 4 PERFORMANCES | 30 MINUTOS | RIO DE JANEIRO MÙSICA, PERFORMANCE E VÍDEO - INSTALAÇÃO SINOPSE Performance através de fragmentos textuais, poemas e imagens que serão feitos e captados em diferentes locais do abertos e fechados no Rio, como espaços públicos e privados, como bares , teatros , ruínas , prédios , ruas e espaços culturais de arte. Movendo-se entre produções independentes, coletivos, instituições sociais privadas e estatais, arte e cena musical – eles vão criar uma dramaturgia específica para cada situação, incluindo como trabalhamos e com o que trabalhamos, a relação entre som e movimento, bem como investigações da Arte da Cena. IMPROFEST ARCHAEOLOGY NO.1 | HARTMANN & THOMPSON | FASE 1 é um projeto que resgata a função real da arte que é transformar, pensar , questionar e , sobretudo , estar presencialmente perto das pessoas e com as pessoas .