NOAMI FULL MOON | Carlos Eduardo Thompson SCENE 4 EXT. STREET - DAY NOAMI INSIDE YOUR LAMBORGHINI CUT TO: NAOMI'S EYES . APPROACH TO THE IRIS CUT TO : NAOMI'S FACE IN YELLOW AND DARK BACKGROUND NOAMI This short time, full of love that you give me, that you give me full of pleasure. Hours are a silly day of emotion that we can barely pay attention to the sadness that comes. The sadness that goes goes away from me. And when I breathe in, leaving you breathless you open your nostrils, hurt and feline almost suffocating.


NOAMI FULL MOON | Carlos Eduardo Thompson
SCENE 4
EXT. STREET - DAY
NOAMI INSIDE YOUR LAMBORGHINI
CUT TO:
NAOMI'S EYES . APPROACH TO THE IRIS
CUT TO :
NAOMI'S FACE IN YELLOW AND DARK BACKGROUND
NOAMI
This short time, full of love that you give me, that you give me full of pleasure. Hours are a silly day of emotion that we can barely pay attention to the sadness that comes. The sadness that goes goes away from me. And when I breathe in, leaving you breathless you open your nostrils, hurt and feline almost suffocating.


 

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