Not bodies. Everything that is artifice becomes a surface. More meetings and less suspicion. Less false politeness, where you do not say what you think and what you want. The feeling of the world is not cordial. ERIKA STRASSBURGER, ARCHEOLOGIST ERIKA STRASSBURGER, ARCHEOLOGIST, CROSSES THE SAUNA TOWARDS THE EXIT, PASSING IN FRONT OF NATASHA VOLKEN, ARCHAEOLOGIST. HIS IMAGE DISAPPEARS TO THE VIEWER IN THE BACKGROUND WITH THE STEAM IN A GRADATIVE FORM AND ACCORDING TO THE TALK. Criticism, and affections also be found in this archaeology, if so we named .the acts analytic s and descriptive s are also understood as a fleeting time, something burning at a certain time that escapes the next minute ... archaeology valley as an exercise in not being limited to the moment of the encounter with the work, with premises and prognoses, but in expanded time, in which the images are concerned with saying. An encounter as the affective spark that human evolution longs for, and what is evolution. Simulating should not be concealing. NATASHA VOLKEN, ARCHAEOLOGIST We watched Natasha Volken, an archaeologist, from above as she also walked to the output in a spiral down a long staircase. The sound of feet in the eucalyptus woods, gradually intensifying. NATASHA VOLKEN, ARCHAEOLOGIST Dissimulate is to pretend not to have that it has. To simulate is to pretend to have what you do not have. (See rubs her shoulders) ERIKA STRASSBURGER, ARCHEOLOGIST Do you understand the controller mind is what positions the split desire? Let me show you the schematic. ERIKA STRASSBURGER, ARCHEOLOGIST, MOVES TO GET THE POEMS... NATASHA VOLKEN (rub) NATASHA VOLKEN GOES TO START RUBBING ERIKA STRASSBURGER SHOULDERS... ERIKA STRASSBURGER CONTINUES TO MURMUR “NO” AND “OH, GOD” AS NATASHA VOLKEN CALLS THE SHOTS IN THE FOREPLAY, WHEN SUDDENLY HE GETS Furious AT BEING PUSHED AROUND. TO CONVEY THE TURNABOUT, ERIKA STRASSBURGER'S ELLIPSES START COMING FAST AND FURIOUS: Natasha Volken grabs her ... by the hair, lifts her off... Erika Strassburger no!

Not bodies. Everything that is artifice becomes a surface. More meetings and less suspicion. Less false politeness, where you do not say what you think and what you want. The feeling of the world is not cordial.

ERIKA STRASSBURGER, ARCHEOLOGIST

ERIKA STRASSBURGER, ARCHEOLOGIST, CROSSES THE SAUNA TOWARDS THE EXIT, PASSING IN FRONT OF NATASHA VOLKEN, ARCHAEOLOGIST. HIS IMAGE DISAPPEARS TO THE VIEWER IN THE BACKGROUND WITH THE STEAM IN A GRADATIVE FORM AND ACCORDING TO THE TALK.

Criticism, and affections also be found in this archaeology, if so we named .the acts analytic s and descriptive s are also understood as a fleeting time, something burning at a certain time that escapes the next minute ... archaeology valley as an exercise in not being limited to the moment of the encounter with the work, with premises and prognoses, but in expanded time, in which the images are concerned with saying. An encounter as the affective spark that human evolution longs for, and what is evolution. Simulating should not be concealing.

NATASHA VOLKEN, ARCHAEOLOGIST

We watched Natasha Volken, an archaeologist, from above as she also walked to the output in a spiral down a long staircase. The sound of feet in the eucalyptus woods, gradually intensifying.

NATASHA VOLKEN, ARCHAEOLOGIST

Dissimulate is to pretend not to have that it has. To simulate is to pretend to have what you do not have.

(See rubs her shoulders)

ERIKA STRASSBURGER, ARCHEOLOGIST

Do you understand the controller mind is what positions the split desire? Let me show you the schematic.

ERIKA STRASSBURGER, ARCHEOLOGIST, MOVES TO GET THE POEMS...

NATASHA VOLKEN
(rub)

NATASHA VOLKEN GOES TO START RUBBING ERIKA STRASSBURGER SHOULDERS...

ERIKA STRASSBURGER CONTINUES TO MURMUR “NO” AND “OH, GOD” AS NATASHA VOLKEN CALLS THE SHOTS IN THE FOREPLAY, WHEN SUDDENLY HE GETS Furious AT BEING PUSHED AROUND. TO CONVEY THE TURNABOUT, ERIKA STRASSBURGER'S ELLIPSES START COMING FAST AND FURIOUS:

Natasha Volken grabs her ... by the hair, lifts her off...

Erika Strassburger
no!