Style C.E.Thompson

SCENE 35 | FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson Characters Kathlen McGraw- Prime Minister of Brazil Laura Stoker - Brazilian Senator INT . SPACE ARCHAEOLOGICAL STATION - NIGHT   

SCENE 35 | FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson Characters Kathlen McGraw- Prime Minister of Brazil Laura Stoker - Brazilian Senator INT . SPACE ARCHAEOLOGICAL STATION - NIGHT   

SCENE 35 | FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson Characters Kathlen McGraw- Prime Minister of Brazil Laura Stoker - Brazilian Senator INT . SPACE ARCHAEOLOGICAL STATION - NIGHT   

THE BASIC CYCLE OF THE FILM ARQUEOLOGIA | 180 MINUTES | 2024 | RIO , BRAZIL Carlos Eduardo Thompson Independent film producers (typically the rights holder, along with the financiers) employ the services of a sales company (also known as a sales agent) to sell their film to distribution companies. A sales company may be an individual, a company or a division of/attached to financiers. They deal only with independent films – often specialising in particular genres – looking for films to sell and helping filmmakers develop new projects. Sales companies do the following: Provide estimates for filmmakers and financiers of the film’s prospects for commercial success . Develop an international marketing plan and materials for business to business, involving exposure at film festivals and markets/trade shows. Negotiate the licensing of rights to local (i.e. individual country) distribution companies – a process involving numerous legally binding obligations. Oversee the local release of the ...

THE BASIC CYCLE OF THE FILM ARQUEOLOGIA | 180 MINUTES | 2024 | RIO , BRAZIL Carlos Eduardo Thompson Independent film producers (typically the rights holder, along with the financiers) employ the services of a sales company (also known as a sales agent) to sell their film to distribution companies. A sales company may be an individual, a company or a division of/attached to financiers. They deal only with independent films – often specialising in particular genres – looking for films to sell and helping filmmakers develop new projects. Sales companies do the following: Provide estimates for filmmakers and financiers of the film’s prospects for commercial success . Develop an international marketing plan and materials for business to business, involving exposure at film festivals and markets/trade shows. Negotiate the licensing of rights to local (i.e. individual country) distribution companies – a process involving numerous legally binding obligations. Oversee the local release of the ...

THE BASIC CYCLE OF THE FILM ARQUEOLOGIA | 180 MINUTES | 2024 | RIO , BRAZIL Carlos Eduardo Thompson Independent film producers (typically the rights holder, along with the financiers) employ the services of a sales company (also known as a sales agent) to sell their film to distribution companies. A sales company may be an individual, a company or a division of/attached to financiers. They deal only with independent films – often specialising in particular genres – looking for films to sell and helping filmmakers develop new projects. Sales companies do the following: Provide estimates for filmmakers and financiers of the film’s prospects for commercial success . Develop an international marketing plan and materials for business to business, involving exposure at film festivals and markets/trade shows. Negotiate the licensing of rights to local (i.e. individual country) distribution companies – a process involving numerous legally binding obligations. Oversee the local release of the ...

SCENE 23 | FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson NATASHA VOLKEN, ARCHAEOLOGIST LAYA, ANCESTOR OF 14,000 B.P. [EXTERNAL. LAYA WALKS IN DIVERSE DIRECTIONS IN THE FOREST. OBSERVE THE SPEED OF THE RIVERS. STACK THINGS ON A BASKET. SUSPEND THE BASKET ABOVE THE HEAD AND ENTERS THE WATER. STONES ARE SLIPPED AND CURRENCY THREATS YOUR BALANCE. WATER NOW Tapes YOUR WAIST. I WAS NOT SURE I COULD CROSS THE RIVER. ARRIVES IN HALF OF RIVER AND RIVER IS BACKGROUND. WATER NOW BEATS AT NECK HEIGHT. WALK ON TIPS. BASKET CONTINUES ABOVE HEAD. SUDDENLY MISSED THE FLOORS. HEAD BALANCE AND SHE WITHOUT WANTED TO SWALLOW A LITTLE WATER. SOON AFTER IT SHOULD PARSE SUPPORT WITH THE BASKET HOLDING IN HANDS. LAYA SEEKS TO PROPEL HIS BODY TOWARD THE OPPOSITE MARGIN.FOR A MOMENT THE CHAIN DRAGGED HER BUT SOON SHE FELT THE Background OF STONES BENEATH HER FEET. MOMENTS AFTER IT WAS ALREADY BACK AND AGAIN WALKING THROUGH THE KILLS] NATASHA VOLKEN, ARCHAEOLOGIST LAYA, ANCES...

FILM ARCHAEOLOGY | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson SCENE 1 PHOTOGRAPHY : POLITICAL EXPLOY IN THE UNDERGROUND OF THE RIO DE JANEIRO CHARACTERS Kathlen McGraw- Prime Minister of Brazil Laura Stoker - Brazilian Senator Laya - Ancestor of 14,000 Years or 14,000 B.P. [Before Present] Johanna Hartmann - Terrorist  

FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson BRITTANY DOWDEN, SURFER. Surfer and activist for the preservation of underwater archaeological heritage, has a less technical and more intellectual profile compared to Karen. She is a character who chooses not to clash with the system, with corruption. She chooses to form local partnerships with other surfers and care for refugees arriving at the Brazilian coast, fleeing racism in Europe and world wars. It is the year 2035 and Brazil has become one of the countries with the lowest number of refugees in the world. Brittany Dowden watches. She is an observer who takes care to expose the gap between identity and otherness. The images and scene art for the character Brittany Dowden open to the ambiguity of appearances and statements, resist, in practice, the attempts at a unifying synthesis of sensation and idea that characterize formal films. The dialogues and images of Brittany Dowden who is a surfer who u...

FILM " ARQUEOLOGIA " | 180 MINUTES | DRAMA | BRAZIL 2024 Carlos Eduardo Thompson Scene 35 Characters Kathlen McGraw- Prime Minister of Brazil Laura Stoker - Brazilian Senator [INTERNAL. NIGHT. SPACE ARCHAEOLOGICAL STATION. 2025]. Laura Stoker - Brazilian Senator  

FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson SCENE 4 INT - ARCHAEOLOGICAL INSTITUTE-DAY. CHARACTERS ERIKA STRASSBURGER, ARCHAEOLOGIST NATASHA VOLKEN, ARCHAEOLOGIST ERIKA AND NATASHA TALK INSIDE A SAUNA. JUST THE SHADOW AND THE STEAM. SENSUALITY.  

FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson NICHOLAS, WOMAN ANGEL. This character is the only fictional character. It was created to build emotional bridges between characters, through appearances and revelations. She protects Natasha Volken. a characteristic of the nicholas journey consists of the main theme of the theme - archeology - which is “road movies”, that is, films that are developed having as main element the idea of movement. The text of the narrative character is composed of some situation of a character who travels in time, pictorial and exquisite plans where I see in the text a counterpoint to traditional cinema, without getting rid of its characteristics. The character Nicholas uses this conflict between the natures of different images as a resource to work with great expressive possibilities, characters, who always seem to be displaced, in transit, expatriated, without stable and lasting relationships.  

FILM “ ARQUEOLOGIA “ | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson PAPISE AND DJ WORTMANN. She divides the goods of the church, denounces the inexistence of Jesus Christ and several lies that history created for the maintenance of control by fear and maintenance of power. As the Prime Minister of Brazil she also wants to be a woman and live intensely and choose to be a dj who performs on ipanema beach and in the night of Rio de Janeiro in brazil connecting with all the diaspora of Brazil. purposely the text, the character's speech does not make it clear how long it has been and the aesthetics of this character's text is a philosophical dive into real facts.  

Not bodies. Everything that is artifice becomes a surface. More meetings and less suspicion. Less false politeness, where you do not say what you think and what you want. The feeling of the world is not cordial. ERIKA STRASSBURGER, ARCHEOLOGIST ERIKA STRASSBURGER, ARCHEOLOGIST, CROSSES THE SAUNA TOWARDS THE EXIT, PASSING IN FRONT OF NATASHA VOLKEN, ARCHAEOLOGIST. HIS IMAGE DISAPPEARS TO THE VIEWER IN THE BACKGROUND WITH THE STEAM IN A GRADATIVE FORM AND ACCORDING TO THE TALK. Criticism, and affections also be found in this archaeology, if so we named .the acts analytic s and descriptive s are also understood as a fleeting time, something burning at a certain time that escapes the next minute ... archaeology valley as an exercise in not being limited to the moment of the encounter with the work, with premises and prognoses, but in expanded time, in which the images are concerned with saying. An encounter as the affective spark that human evolution longs for, and what is evolution. Simul...

Not bodies. Everything that is artifice becomes a surface. More meetings and less suspicion. Less false politeness, where you do not say what you think and what you want. The feeling of the world is not cordial. ERIKA STRASSBURGER, ARCHEOLOGIST ERIKA STRASSBURGER, ARCHEOLOGIST, CROSSES THE SAUNA TOWARDS THE EXIT, PASSING IN FRONT OF NATASHA VOLKEN, ARCHAEOLOGIST. HIS IMAGE DISAPPEARS TO THE VIEWER IN THE BACKGROUND WITH THE STEAM IN A GRADATIVE FORM AND ACCORDING TO THE TALK. Criticism, and affections also be found in this archaeology, if so we named .the acts analytic s and descriptive s are also understood as a fleeting time, something burning at a certain time that escapes the next minute ... archaeology valley as an exercise in not being limited to the moment of the encounter with the work, with premises and prognoses, but in expanded time, in which the images are concerned with saying. An encounter as the affective spark that human evolution longs for, and what is evolution. Simul...

FILM ARCHAEOLOGY | DRAMA | 180 MINUTES | BRAZIL | 2024 Carlos Eduardo Thompson DIRECTOR OF THE RIO NATIONAL MUSEUM. Archaeologist of great culture, education, who assumes responsibility for dealing with the egos of scientists, and director of the large museum in the southern hemisphere, she makes friends with Papise and DJ wortmann, who discuss how god was invented and a long discussion through a dialogue on the relationship of archeology with religion that i classify as an “artisanal” character, distinct from an industrial cinema and even an independent cinema. the apparent precariousness of conceptual aspects of the speech and thinking of the director of the national museum of rio is a text for reflection, because despite the director of the national museum of rio appearing almost at the end of the film, she poses exactly the questions that 99.9% of the population of the world fears: the inexistence of god and the character puts in front of the spectator themes that he is afraid to t...

FILM ARCHAEOLOGY | DRAMA | 180 MINUTES | BRAZIL Carlos Eduardo Thompson LAURA STOCKER, brazilian senator. a friend and confident of the Prime Minister, she feels desire and envy at the same time. she is a woman who lives in the shadow of the Prime Minister of Brazil , and who values work and who knows how to do it impeccable. she faces the most diverse obstacles in her personal life by being very politically focused and not technical. this lack of flexibility generates tension for the character Laura.   

FILM ARCHAEOLOGY | DRAMA | 180 MINUTES | BRAZIL Carlos Eduardo Thompson MONIQUE THOMPSON, archeologist. Intense, she is strong and determined in her goals, even if they are not the most ethical. As an archeologist, she is intelligent and highly effective. But like every person who puts career above life, she is frustrated.  

Archeology speaks about women archeology and the different archeologies that were erased in 1922 for the maintenance of social inequalities, lies that made earth a place that had to reinvented itself in three independent kingdoms in space. a varius womens archaeologist's story that cinema never wanted to tell. The" Archeology" project is a 180-minute feature film with only actresses where the direction will be shared, as an art collective. The" Archeology" project is not only an iconic support, but an induction to the act of reflection on belonging – ultimately, on knowledge (art or creation in general inserts a modality of knowledge). Here springs the dialectic between knowledge and communication, between creation and imagination, cinema and reality. Questions emerge about the non-existence of God, the non-acceptance in cinema of the massive and strong presence in Brazilian Archeology. The photograph is in a lethargic trance, where the informality of real im...