Style C.E.Thompson

  SCENE 6 INT. NAOMI' S APARTMENT. DAY (with real empathy) (V.O.) SHE KNOWS WHEN TO ARRIVE AND WHEN TO LEAVE YOURSELF ALONE.

SCENE 6 INT. NAOMI' S APARTMENT. DAY (with real empathy) (V.O.) SHE KNOWS WHEN TO ARRIVE AND WHEN TO LEAVE YOURSELF ALONE.  

SCENE 6 INT. NAOMI' S APARTMENT. DAY (with real empathy) (V.O.) SHE KNOWS WHEN TO ARRIVE AND WHEN TO LEAVE YOURSELF ALONE.  

SCENE 6 INT. NAOMI' S APARTMENT. DAY (with real empathy) (V.O.) SHE KNOWS WHEN TO ARRIVE AND WHEN TO LEAVE YOURSELF ALONE.  

NOAMI FULL MOON | Carlos Eduardo Thompson SCENE 6 INT. NAOMI' S APARTMENT. DAY NAOMI IS TIRED. BLACK AND WHITE . NAOMI LAYING ON THE SOFA | APPROACH NAOMI And when I feel my arms crossed over my legs, my words fade away and other sounds fill my dreams and my room... the night passes and I go crazy... (with real empathy) (V.O.) SHE KNOWS WHEN TO ARRIVE AND WHEN TO LEAVE YOURSELF ALONE.  

NOAMI FULL MOON | Carlos Eduardo Thompson SCENE 4 EXT. STREET - DAY NOAMI INSIDE YOUR LAMBORGHINI CUT TO: NAOMI'S EYES . APPROACH TO THE IRIS CUT TO : NAOMI'S FACE IN YELLOW AND DARK BACKGROUND NOAMI This short time, full of love that you give me, that you give me full of pleasure. Hours are a silly day of emotion that we can barely pay attention to the sadness that comes. The sadness that goes goes away from me. And when I breathe in, leaving you breathless you open your nostrils, hurt and feline almost suffocating.  

SCENE 4 EXT. STEEET - DAY NOAMI INSIDE YOUR LAMBORGUINI CUT TO: NAOMI'S EYES . APPROACH TO THE IRIS