Style C.E.Thompson

Russian Arctic Archaeology Trip with National Geographic Sunday 03.03.2024 #carloseduadothompson

Tarfala Forskningsstation – Stockholm universitet | Carlos Eduardo Thompson Tarfala forskningsstation är Stockholm universitets centrum för glaciologisk, alpinsk och arktisk fältforskning. Stationen ligger i Tarfaladalen i norra Sverige, vid Kebnekaisefjällen, på cirka 1130–1135 meter över havet. Den omges av flera glaciärer (bland annat Storglaciären), alpina bergsområden och sjöar. Stationen bedriver långsiktiga mätprogram inom glaciologi, meteorologi, hydrologi, permafrost och ekosystemförändringar. Mätningarna av Storglaciärens massbalans har pågått sedan 1946, vilket gör dem till en av världens längsta sammanhängande tidsserier inom glaciologisk forskning. Tarfala är en viktig plats för klimat- och miljöforskning, både nationellt och internationellt.

Tarfala Forskningsstation – Stockholm universitet | Carlos Eduardo Thompson Tarfala forskningsstation är Stockholm universitets centrum för glaciologisk, alpinsk och arktisk fältforskning. Stationen ligger i Tarfaladalen i norra Sverige, vid Kebnekaisefjällen, på cirka 1130–1135 meter över havet. Den omges av flera glaciärer (bland annat Storglaciären), alpina bergsområden och sjöar. Stationen bedriver långsiktiga mätprogram inom glaciologi, meteorologi, hydrologi, permafrost och ekosystemförändringar. Mätningarna av Storglaciärens massbalans har pågått sedan 1946, vilket gör dem till en av världens längsta sammanhängande tidsserier inom glaciologisk forskning. Tarfala är en viktig plats för klimat- och miljöforskning, både nationellt och internationellt.

Applications of Space Archaeology to Mars: A JPL-Based Remote Sensing Approach Carlos Eduardo Thompson #carloseduadothompson

Applications of Space Archaeology to Mars: A JPL-Based Remote Sensing Approach Carlos Eduardo Thompson #carloseduadothompson

Space Archaeology and the Management of Terrestrial and Underwater Archaeology through Remote Sensing and LiDAR Carlos Eduardo Thompson Alves de Souza Abstract This paper examines the application of Space Archaeology, Remote Sensing, and LiDAR technologies in the detection, documentation, and management of terrestrial and underwater archaeological sites. By integrating satellite data, aerial imagery, and laser scanning, it is possible to identify buried structures, submerged landscapes, and cultural patterns with high spatial accuracy. These technologies provide essential tools for non-invasive archaeological research and for the sustainable management of cultural heritage in rapidly changing environments. 1. Introduction Archaeological research has undergone a significant transformation through the integration of geospatial technologies. Space Archaeology refers to the use of satellite platforms and aerial observation systems for the detection and analysis of archaeological features on the Earth’s surface and underwater. Remote Sensing provides multispectral and radar data that allow the identification of anomalies associated with past human activity. LiDAR (Light Detection and Ranging) complements this by generating precise topographic models capable of penetrating vegetation cover and shallow water, revealing otherwise inaccessible archaeological information. These methods contribute not only to site discovery but also to long-term monitoring and management strategies for cultural heritage preservation. 2. Materials and Methods 2.1 Remote Sensing High-resolution satellite imagery (optical, multispectral, hyperspectral, and radar) was analyzed to detect geomorphological and anthropogenic anomalies. This included the identification of ancient settlement patterns, landscape modifications, and submerged features. Data were processed using standard image enhancement and classification techniques to improve archaeological feature visibility. 2.2 LiDAR Surveys Airborne and terrestrial LiDAR systems were employed to acquire three-dimensional topographic data. Point clouds were processed to generate Digital Terrain Models (DTMs) and Digital Surface Models (DSMs). These datasets enabled the detection of buried structures, paleo-channels, and submerged landscapes, even in densely vegetated or sedimented contexts. 2.3 GIS-Based Integration All Remote Sensing and LiDAR datasets were georeferenced and integrated into a Geographic Information System (GIS). Spatial analysis tools were applied for feature extraction, pattern recognition, and predictive modeling. This integration facilitated systematic documentation, spatial correlation, and heritage management planning. 3. Applications 3.1 Terrestrial Archaeology Spaceborne and airborne datasets allowed the detection of ancient urban grids, road systems, fortifications, agricultural terraces, and other anthropogenic structures. In heavily forested regions, LiDAR proved especially effective in revealing topographic signatures hidden beneath vegetation. 3.2 Underwater Archaeology Bathymetric LiDAR and satellite-derived bathymetry were applied to identify submerged landscapes, paleoshorelines, and shipwreck sites in shallow coastal waters. These methods provide essential baselines for understanding prehistoric coastal occupation and maritime trade routes. 3.3 Cultural Heritage Management The integration of geospatial data supports the creation of digital archaeological inventories, vulnerability assessments, and monitoring systems. These tools are fundamental for designing sustainable conservation policies, especially in areas affected by urban expansion, agriculture, or climate change. 4. Discussion The combined use of Remote Sensing and LiDAR represents a paradigm shift in archaeological prospection. These methods allow for large-scale, non-invasive data acquisition and analysis, reducing the need for extensive ground surveys. However, challenges remain regarding data resolution, interpretation accuracy, and the integration of interdisciplinary datasets. Continued technological development and methodological standardization are necessary to enhance the reliability and applicability of these approaches. 5. Conclusion Space Archaeology, Remote Sensing, and LiDAR offer unprecedented opportunities for the identification, analysis, and protection of terrestrial and underwater archaeological sites. Their integration into heritage management frameworks enables more effective conservation strategies and contributes to the understanding of cultural landscapes on a regional and global scale. References (Sample structure – replace or expand with actual sources) Bewley, R. H., Crutchley, S. P., & Shell, C. A. (2005). New light on an ancient landscape: lidar survey in the Stonehenge World Heritage Site. Antiquity, 79(305), 636–647. Parcak, S. (2009). Satellite Remote Sensing for Archaeology. Routledge. Opitz, R., & Cowley, D. (2013). Interpreting Archaeological Topography: Airborne Laser Scanning, 3D Data and Ground Observation. Oxbow Books. Chase, A. F., Chase, D. Z., Weishampel, J. F., et al. (2012). Geospatial revolution and remote sensing LiDAR in Mesoamerican archaeology. PNAS, 109(32), 12916–12921.

Space Archaeology and the Management of Terrestrial and Underwater Archaeology through Remote Sensing and LiDAR Carlos Eduardo Thompson Alves de Souza Abstract This paper examines the application of Space Archaeology, Remote Sensing, and LiDAR technologies in the detection, documentation, and management of terrestrial and underwater archaeological sites. By integrating satellite data, aerial imagery, and laser scanning, it is possible to identify buried structures, submerged landscapes, and cultural patterns with high spatial accuracy. These technologies provide essential tools for non-invasive archaeological research and for the sustainable management of cultural heritage in rapidly changing environments. 1. Introduction Archaeological research has undergone a significant transformation through the integration of geospatial technologies. Space Archaeology refers to the use of satellite platforms and aerial observation systems for the detection and analysis of archaeological feat...

Space Archaeology and the Management of Terrestrial and Underwater Archaeology through Remote Sensing and LiDAR Model: Carlos Eduardo Thompson This project explores the integration of space-based observation with advanced archaeological management techniques, applying Remote Sensing and LiDAR technologies to investigate and document both terrestrial and underwater cultural heritage sites. By combining spatial data with archaeological methodology, it seeks to reveal hidden structures, map extensive areas with precision, and develop innovative strategies for heritage preservation and research on a planetary scale. Carlos Eduardo Thompson Alves de Souza Style C.E. Thompson (stylethompson.blogspot.com) Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor and UNESCO | IOC and Member of Transparency International to Combat Corruption in Culture and Education. Born: Rio de Janeiro on January 27, 1968 |

Space Archaeology and the Management of Terrestrial and Underwater Archaeology through Remote Sensing and LiDAR Model: Carlos Eduardo Thompson This project explores the integration of space-based observation with advanced archaeological management techniques, applying Remote Sensing and LiDAR technologies to investigate and document both terrestrial and underwater cultural heritage sites. By combining spatial data with archaeological methodology, it seeks to reveal hidden structures, map extensive areas with precision, and develop innovative strategies for heritage preservation and research on a planetary scale. Carlos Eduardo Thompson Alves de Souza Style C.E. Thompson (stylethompson.blogspot.com) Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor and UNESCO | IOC and Me...

Космодром Байконур — это крупнейший и старейший в мире действующий космодром, расположенный в Казахстане, на территории пустыни Казахский степи. Он был построен в 1955 году и использовался Советским Союзом для запуска первых космических аппаратов и пилотируемых миссий. Вот ключевые сведения о Байконуре: Местоположение: Южный Казахстан, около города Байконур (раньше назывался Ленинск). Площадь: примерно 6 717 км², включая стартовые площадки, жилые и административные зоны. Историческое значение: 4 октября 1957 года с Байконура был запущен спутник «Спутник-1» — первый искусственный спутник Земли. 12 апреля 1961 года — первый пилотируемый полет человека в космос: Юрий Гагарин на корабле «Восток-1». Стартовые площадки: несколько площадок для разных типов ракет, включая легендарную Р-7 (Союз). Современное использование: запуск космических аппаратов России и международных партнеров, пилотируемые миссии на МКС, спутники связи и исследования. Особенности: из-за своего размера и инфраструктуры Байконур можно назвать «городом в пустыне» — там есть жилые районы, школы, магазины, больницы для сотрудников космодрома. Если хочешь, я могу сделать короткий исторический и технический обзор Байконура в виде научного резюме, как для статьи или отчета. Это будет компактно и информативно.

Космодром Байконур — это крупнейший и старейший в мире действующий космодром, расположенный в Казахстане, на территории пустыни Казахский степи. Он был построен в 1955 году и использовался Советским Союзом для запуска первых космических аппаратов и пилотируемых миссий. Вот ключевые сведения о Байконуре: Местоположение: Южный Казахстан, около города Байконур (раньше назывался Ленинск). Площадь: примерно 6 717 км², включая стартовые площадки, жилые и административные зоны. Историческое значение: 4 октября 1957 года с Байконура был запущен спутник «Спутник-1» — первый искусственный спутник Земли. 12 апреля 1961 года — первый пилотируемый полет человека в космос: Юрий Гагарин на корабле «Восток-1». Стартовые площадки: несколько площадок для разных типов ракет, включая легендарную Р-7 (Союз). Современное использование: запуск космических аппаратов России и международных партнеров, пилотируемые миссии на МКС, спутники связи и исследования. Особенности: из-за своего размера и инфраструктуры Б...

Recepção de 1050 CJNB do Canadá e Influência de Trilhas de Plasma de Eventos Hipersônicos na Captura de Dados de Radar HF Carlos Eduardo Thompson Resumo: Este estudo aborda dois fenômenos distintos relacionados à propagação de ondas de rádio em longas distâncias. Primeiramente, foi realizada a recepção clara da emissora canadense 1050 CJNB no Cazaquistão, utilizando uma antena loop otimizada para ondas médias (MW). A recepção a uma distância tão elevada sugere condições favoráveis de reflexão ionosférica, destacando o papel da ionosfera na transmissão de sinais de rádio entre continentes. Em segundo lugar, analisa-se a influência de trilhas de plasma geradas por eventos hipersônicos na captura de dados por radares de alta frequência (HF). Observações mostram que a formação e dissipação dessas trilhas alteram significativamente a reflexão e a propagação das ondas de rádio, impactando a eficiência de sistemas de radar de longo alcance. A integração desses dois estudos ressalta a complexidade da interação entre fenômenos naturais e tecnológicos na propagação de sinais eletromagnéticos, tanto em comunicações quanto em monitoramento radar. Palavras-chave: Propagação de ondas de rádio, 1050 CJNB, antena loop, trilhas de plasma, eventos hipersônicos, radar HF, ionosfera.

Recepção de 1050 CJNB do Canadá e Influência de Trilhas de Plasma de Eventos Hipersônicos na Captura de Dados de Radar HF Carlos Eduardo Thompson Resumo: Este estudo aborda dois fenômenos distintos relacionados à propagação de ondas de rádio em longas distâncias. Primeiramente, foi realizada a recepção clara da emissora canadense 1050 CJNB no Cazaquistão , utilizando uma antena loop otimizada para ondas médias (MW). A recepção a uma distância tão elevada sugere condições favoráveis de reflexão ionosférica, destacando o papel da ionosfera na transmissão de sinais de rádio entre continentes. Em segundo lugar, analisa-se a influência de trilhas de plasma geradas por eventos hipersônicos na captura de dados por radares de alta frequência (HF) . Observações mostram que a formação e dissipação dessas trilhas alteram significativamente a reflexão e a propagação das ondas de rádio, impactando a eficiência de sistemas de radar de longo alcance. A integração desses dois estudos ressalta...

Influence of Plasma Trails from Hypersonic Events on HF Radar Data Capture Getting 1050 CJNB from Kazakhstan Loud and Clear with Our Loop Antenna Carlos Eduardo Thompson Abstract This study reports the successful long-distance reception of the Canadian AM radio station 1050 CJNB from Kazakhstan using a precision loop antenna. The event occurred under unusual ionospheric propagation conditions, likely influenced by plasma trails generated by hypersonic phenomena in the upper atmosphere. These plasma formations can create transient reflective layers that enhance the propagation of high-frequency (HF) signals over intercontinental distances. The observation provides valuable empirical data on the interaction between natural or artificial hypersonic events and HF radio wave propagation, with implications for radar, communications, and atmospheric research. Keywords: HF propagation, hypersonic plasma trails, ionosphere, loop antenna, over-the-horizon reception, radio science.

Influence of Plasma Trails from Hypersonic Events on HF Radar Data Capture Getting 1050 CJNB from Kazakhstan Loud and Clear with Our Loop Antenna Carlos Eduardo Thompson Abstract This study reports the successful long-distance reception of the Canadian AM radio station 1050 CJNB from Kazakhstan using a precision loop antenna. The event occurred under unusual ionospheric propagation conditions, likely influenced by plasma trails generated by hypersonic phenomena in the upper atmosphere. These plasma formations can create transient reflective layers that enhance the propagation of high-frequency (HF) signals over intercontinental distances. The observation provides valuable empirical data on the interaction between natural or artificial hypersonic events and HF radio wave propagation , with implications for radar, communications, and atmospheric research. Keywords: HF propagation, hypersonic plasma trails, ionosphere, loop antenna, over-the-horizon reception, radio science. ...

Influence of Plasma Trails from Hypersonic Events on HF Radar Data Capture Getting 1050 CJNB from Kazakhstan Loud and Clear with Our Loop Antenna Carlos Eduardo Thompson Abstract This study reports the successful long-distance reception of the Canadian AM radio station 1050 CJNB from Kazakhstan using a precision loop antenna. The event occurred under unusual ionospheric propagation conditions, likely influenced by plasma trails generated by hypersonic phenomena in the upper atmosphere. These plasma formations can create transient reflective layers that enhance the propagation of high-frequency (HF) signals over intercontinental distances. The observation provides valuable empirical data on the interaction between natural or artificial hypersonic events and HF radio wave propagation, with implications for radar, communications, and atmospheric research. Keywords: HF propagation, hypersonic plasma trails, ionosphere, loop antenna, over-the-horizon reception, radio science. Влияние плазменных следов гиперзвуковых событий на регистрацию данных РЛС в диапазоне ВЧ Получение сигнала 1050 CJNB из Казахстана громко и ясно с помощью нашей петлевой антенны Карлос Эдуардо Томпсон Аннотация В работе описывается успешный прием канадской радиостанции 1050 CJNB на большие расстояния из Казахстана с использованием высокоточной петлевой антенны. Событие произошло при необычных условиях ионосферного распространения, вероятно вызванных плазменными следами гиперзвуковых явлений в верхних слоях атмосферы. Такие плазменные образования способны создавать временные отражающие слои, которые усиливают распространение ВЧ-сигналов на межконтинентальные расстояния. Полученные наблюдения представляют собой важный эмпирический материал для изучения взаимодействия естественных или искусственных гиперзвуковых событий с распространением радиоволн ВЧ-диапазона, что имеет значение для радиолокации, связи и атмосферных исследований. Ключевые слова: распространение ВЧ-волн, плазменные следы, гиперзвуковые явления, ионосфера, петлевая антенна, загоризонтный прием, радионаука.

Influence of Plasma Trails from Hypersonic Events on HF Radar Data Capture Getting 1050 CJNB from Kazakhstan Loud and Clear with Our Loop Antenna Carlos Eduardo Thompson Abstract This study reports the successful long-distance reception of the Canadian AM radio station 1050 CJNB from Kazakhstan using a precision loop antenna. The event occurred under unusual ionospheric propagation conditions, likely influenced by plasma trails generated by hypersonic phenomena in the upper atmosphere. These plasma formations can create transient reflective layers that enhance the propagation of high-frequency (HF) signals over intercontinental distances. The observation provides valuable empirical data on the interaction between natural or artificial hypersonic events and HF radio wave propagation, with implications for radar, communications, and atmospheric research. Keywords: HF propagation, hypersonic plasma trails, ionosphere, loop antenna, over-the-horizon reception, radio science. Влияние плазме...

Научное резюме Испытания на вертикальную вибрацию представляют собой ключевой этап проверки космических аппаратов перед запуском. Они позволяют оценить устойчивость конструкции к интенсивным механическим нагрузкам и акустическому воздействию, возникающим в момент старта ракеты. Объект испытаний состоит из нескольких модулей: в верхней части расположен солнцезащитный козырёк, под которым находится японский магнитосферный орбитальный аппарат «Меркурий»; ниже размещён Европейский планетарный орбитальный аппарат «Меркурий»; в основании конструкции расположен транспортный модуль, обеспечивающий доставку зондов к планете. Такие испытания необходимы для подтверждения надёжности и готовности аппарата к полётным условиям.

Научное резюме Испытания на вертикальную вибрацию представляют собой ключевой этап проверки космических аппаратов перед запуском. Они позволяют оценить устойчивость конструкции к интенсивным механическим нагрузкам и акустическому воздействию, возникающим в момент старта ракеты. Объект испытаний состоит из нескольких модулей: в верхней части расположен солнцезащитный козырёк, под которым находится японский магнитосферный орбитальный аппарат «Меркурий»; ниже размещён Европейский планетарный орбитальный аппарат «Меркурий»; в основании конструкции расположен транспортный модуль, обеспечивающий доставку зондов к планете. Такие испытания необходимы для подтверждения надёжности и готовности аппарата к полётным условиям.

Испытание на вертикальную вибрацию Одной из основных задач при проектировании космических аппаратов является обеспечение их устойчивости к экстремальным условиям запуска. В момент старта ракеты аппарат подвергается воздействию интенсивных вибраций и мощного акустического шума. Поэтому крайне важно проводить на Земле испытания, моделирующие эти условия, чтобы убедиться в надежности конструкции и способности выдержать жёсткие нагрузки полёта в космос. На изображении представлен космический аппарат, состоящий из нескольких основных компонентов, расположенных вертикально. В верхней части находится солнцезащитный козырёк, который укрывает японский магнитосферный орбитальный аппарат «Меркурий». Под ним расположен Европейский планетарный орбитальный аппарат «Меркурий». В нижней части конструкции находится модуль транспортировки к Меркурию, предназначенный для доставки двух научных зондов к планете.

Испытание на вертикальную вибрацию Одной из основных задач при проектировании космических аппаратов является обеспечение их устойчивости к экстремальным условиям запуска. В момент старта ракеты аппарат подвергается воздействию интенсивных вибраций и мощного акустического шума. Поэтому крайне важно проводить на Земле испытания, моделирующие эти условия, чтобы убедиться в надежности конструкции и способности выдержать жёсткие нагрузки полёта в космос. На изображении представлен космический аппарат, состоящий из нескольких основных компонентов, расположенных вертикально. В верхней части находится солнцезащитный козырёк, который укрывает японский магнитосферный орбитальный аппарат «Меркурий». Под ним расположен Европейский планетарный орбитальный аппарат «Меркурий». В нижней части конструкции находится модуль транспортировки к Меркурию, предназначенный для доставки двух научных зондов к планете.

Interactive bespoke AI Webapp — VQGAN·CLIP • GPT-J • NLP • TTS By Carlos Eduardo Thompson Short elevator pitch A customizable web application that blends generative visual art (VQGAN+CLIP), transformer-based text intelligence (NLP + GPT-J), and natural-sounding speech synthesis to create interactive, multimedia experiences — from on-demand concept art and narrated stories to conversational creative assistants and audio-visual installations. What it does (user-facing summary) Generates unique images from text prompts and stylistic seeds using VQGAN+CLIP, with live feedback and slider controls for creativity, iteration, and interpolation. Produces coherent long-form and short-form text using GPT-J and transformer NLP pipelines: prompts, personas, context memory, and prompt chaining. Converts generated or user-provided text to high-quality speech (TTS) with selectable voices, languages, and prosody controls for narration, installations, or accessibility. Provides a single web UI where users can combine text, images, and voice into shareable “scenes” or “performances” and export high-resolution assets or packaged projects. Offers developer/artist modes for fine-grained control (latent-space edits, seed locking, temperature/top-k sampling, token budgets, beam settings). Core features (concise) Prompt-based image generation with live preview and evolution controls (steps, guidance scale, seeds). Text generation with persona templates, context memory, and prompt tuning controls. TTS engine with multiple voices, speaking speed, emotion/prosody sliders, and SSML support. Vectorized embeddings and similarity search to store, retrieve, and remix prior outputs (vector DB). Project workspace: save full multimedia sessions, version history, and export to image, audio, video, or JSON. API & webhook endpoints for integration into pipelines or installations. User accounts with role-based permissions (creator, viewer, guest) and usage dashboards. Suggested technical architecture (high level) Frontend: React + Vite (SPA), WebSocket for live generation progress, and a canvas/editor workspace. Backend: Node.js/Express (or FastAPI) serving REST + WebSocket, user

Interactive bespoke AI Webapp — VQGAN·CLIP • GPT-J • NLP • TTS By Carlos Eduardo Thompson Short elevator pitch A customizable web application that blends generative visual art (VQGAN+CLIP), transformer-based text intelligence (NLP + GPT-J), and natural-sounding speech synthesis to create interactive, multimedia experiences — from on-demand concept art and narrated stories to conversational creative assistants and audio-visual installations. What it does (user-facing summary) Generates unique images from text prompts and stylistic seeds using VQGAN+CLIP, with live feedback and slider controls for creativity, iteration, and interpolation. Produces coherent long-form and short-form text using GPT-J and transformer NLP pipelines: prompts, personas, context memory, and prompt chaining. Converts generated or user-provided text to high-quality speech (TTS) with selectable voices, languages, and prosody controls for narration, installations, or accessibility. Provides a single web UI where use...

Arctic Lapland Rally | Carlos Eduardo Thompson The Arctic Lapland Rally is a legendary motorsport event held annually in Rovaniemi, Finnish Lapland, north of the Arctic Circle. Known for its extreme winter conditions, the rally takes place on snow-covered and icy roads, creating a unique and demanding challenge for drivers and co-drivers. Participating in such an event represents the intersection of precision, endurance, and technical mastery. Carlos Eduardo Thompson’s connection to the Arctic Lapland Rally highlights his dedication to rally racing and his passion for high-performance driving under some of the world’s most extreme conditions. The event embodies the spirit of adventure and resilience that defines his competitive journey.

Arctic Lapland Rally | Carlos Eduardo Thompson The Arctic Lapland Rally is a legendary motorsport event held annually in Rovaniemi, Finnish Lapland, north of the Arctic Circle. Known for its extreme winter conditions, the rally takes place on snow-covered and icy roads, creating a unique and demanding challenge for drivers and co-drivers. Participating in such an event represents the intersection of precision, endurance, and technical mastery. Carlos Eduardo Thompson’s connection to the Arctic Lapland Rally highlights his dedication to rally racing and his passion for high-performance driving under some of the world’s most extreme conditions. The event embodies the spirit of adventure and resilience that defines his competitive journey.

On 28 February 2025, Luxembourg City will experience typical late winter weather, with average daytime temperatures around 6–8 °C and nighttime temperatures near 0 °C, under mostly cloudy skies. Cultural events include concerts such as Unleash The Archers at Rockhal Club and Romantique après la Saint-Valentin at the Philharmonie. Exhibitions like The Last Holocaust Survivors at Neimënster and the Migration Festival at LuxExpo will also be taking place. The city will offer a mix of musical, historical, and cultural activities suitable for winter visitors.

On 28 February 2025, Luxembourg City will experience typical late winter weather, with average daytime temperatures around 6–8 °C and nighttime temperatures near 0 °C, under mostly cloudy skies. Cultural events include concerts such as Unleash The Archers at Rockhal Club and Romantique après la Saint-Valentin at the Philharmonie. Exhibitions like The Last Holocaust Survivors at Neimënster and the Migration Festival at LuxExpo will also be taking place. The city will offer a mix of musical, historical, and cultural activities suitable for winter visitors.

Ride Over Central London Carlos Eduardo Thompson

Ride Over Central London Carlos Eduardo Thompson

Marine Archaeological Sanctuaries on the Brazilian Coast — Summary Brazil has a coastline of approximately 8,500 km, rich in underwater cultural heritage (UCH), including shipwrecks, submerged port structures, religious sites, and shellmounds. Although there is no official legal category called “marine archaeological sanctuaries,” several protected marine and coastal areas in the state of Rio de Janeiro are relevant for underwater archaeology. Examples include: Arraial do Cabo Marine Extractive Reserve – protects marine resources; potential for submerged heritage. Tamoios Ecological Station – includes marine zones and islands in Ilha Grande Bay. Aventureiro Sustainable Development Reserve – manages marine and coastal environments with traditional communities. Academic research has identified these areas as significant for cultural heritage, but no official list of marine archaeological sanctuaries currently exists in Brazil. Likewise, there are no formal legal designations specifically titled “marine archaeological sanctuaries” linked to Carlos Eduardo Thompson (Carlos Eduardo Thompson Alves de Souza), although his work involves remote sensing, underwater archaeological research, and mapping in Rio de Janeiro. Shellmounds (sambaquis) along the southern coast are another key example of coastal heritage, sometimes partially submerged, offering important archaeological evidence of early human–marine interactions. In short: Brazil has extensive underwater heritage potential, especially along the coast of Rio de Janeiro, but marine archaeological sanctuaries are currently more a conceptual or academic idea than a legally established system.

Marine Archaeological Sanctuaries on the Brazilian Coast — Summary Brazil has a coastline of approximately 8,500 km , rich in underwater cultural heritage (UCH), including shipwrecks, submerged port structures, religious sites, and shellmounds. Although there is no official legal category called “marine archaeological sanctuaries,” several protected marine and coastal areas in the state of Rio de Janeiro are relevant for underwater archaeology. Examples include: Arraial do Cabo Marine Extractive Reserve – protects marine resources; potential for submerged heritage. Tamoios Ecological Station – includes marine zones and islands in Ilha Grande Bay. Aventureiro Sustainable Development Reserve – manages marine and coastal environments with traditional communities. Academic research has identified these areas as significant for cultural heritage, but no official list of marine archaeological sanctuaries currently exists in Brazil. Likewise, there are no formal legal desig...

Marine Archaeological Sanctuaries on the Brazilian Coast — Summary Brazil has a coastline of approximately 8,500 km, rich in underwater cultural heritage (UCH), including shipwrecks, submerged port structures, religious sites, and shellmounds. Although there is no official legal category called “marine archaeological sanctuaries,” several protected marine and coastal areas in the state of Rio de Janeiro are relevant for underwater archaeology. Examples include: Arraial do Cabo Marine Extractive Reserve – protects marine resources; potential for submerged heritage. Tamoios Ecological Station – includes marine zones and islands in Ilha Grande Bay. Aventureiro Sustainable Development Reserve – manages marine and coastal environments with traditional communities. Academic research has identified these areas as significant for cultural heritage, but no official list of marine archaeological sanctuaries currently exists in Brazil. Likewise, there are no formal legal designations specifically titled “marine archaeological sanctuaries” linked to Carlos Eduardo Thompson (Carlos Eduardo Thompson Alves de Souza), although his work involves remote sensing, underwater archaeological research, and mapping in Rio de Janeiro. Shellmounds (sambaquis) along the southern coast are another key example of coastal heritage, sometimes partially submerged, offering important archaeological evidence of early human–marine interactions. In short: Brazil has extensive underwater heritage potential, especially along the coast of Rio de Janeiro, but marine archaeological sanctuaries are currently more a conceptual or academic idea than a legally established system.

Bays of Ilha Grande and Sepetiba (RJ) The Bays of Ilha Grande and Sepetiba are situated in the southwestern portion of the state of Rio de Janeiro, Brazil. These two bays are hydrologically interconnected through the Ilha Grande Channel, forming an extensive and complex coastal-marine system of considerable environmental and economic significance. The drainage basin associated with this system covers an area of approximately 5,472 km². It comprises both the Ilha Grande Bay Basin and the Guandu Basin, and its hydrological network drains 18 municipalities, including Angra dos Reis, Paraty, Mangaratiba, Itaguaí, and Rio de Janeiro. This region plays a strategic economic role, as it hosts numerous maritime and port terminals, supporting a wide range of activities such as cargo transport, shipbuilding and repair, fishing, tourism, and industrial operations. Due to this concentration of economic infrastructure, the area is subject to significant anthropogenic pressures, making it a critical zone for integrated coastal management, environmental monitoring, and conservation efforts.

Bays of Ilha Grande and Sepetiba (RJ) The Bays of Ilha Grande and Sepetiba are situated in the southwestern portion of the state of Rio de Janeiro, Brazil. These two bays are hydrologically interconnected through the Ilha Grande Channel , forming an extensive and complex coastal-marine system of considerable environmental and economic significance. The drainage basin associated with this system covers an area of approximately 5,472 km² . It comprises both the Ilha Grande Bay Basin and the Guandu Basin , and its hydrological network drains 18 municipalities , including Angra dos Reis, Paraty, Mangaratiba, Itaguaí , and Rio de Janeiro . This region plays a strategic economic role , as it hosts numerous maritime and port terminals , supporting a wide range of activities such as cargo transport, shipbuilding and repair, fishing, tourism , and industrial operations . Due to this concentration of economic infrastructure, the area is subject to significant anthropogenic pressures , maki...

“Karen II— a silent poem in light and shadow. Photo by Carlos Eduardo Thompson.” 2025 | Rio de Janeiro | Brazil

“Karen II— a silent poem in light and shadow. Photo by Carlos Eduardo Thompson.” 2025 | Rio de Janeiro | Brazil

Artic Rally | Finland 2025 Carlos Eduardo Thompson | Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC. Born: Rio de Janeiro on January 27, 1968

Artic Rally | Finland 2025 Carlos Eduardo Thompson | Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC. Born: Rio de Janeiro on January 27, 1968

Qualifying – Porsche 992 GT3 Endurance Cup 12 Hours of Spa-Francorchamps Carlos Eduardo Thompson | 2024 Carlos Eduardo Thompson is an Archaeologist, Cinema Art Director, Rally Race Driver, Visual Artist, Designer, Fashion Art Director, Poet, Dancer, and Writer. He is a member of the British Archaeology, the European Association of Archaeologists, the Russian Geographical Society, the Verband der Theaterautor, and UNESCO | IOC. Born in Rio de Janeiro on January 27, 1968.

Qualifying – Porsche 992 GT3 Endurance Cup 12 Hours of Spa-Francorchamps Carlos Eduardo Thompson | 2024 Carlos Eduardo Thompson is an Archaeologist, Cinema Art Director, Rally Race Driver, Visual Artist, Designer, Fashion Art Director, Poet, Dancer, and Writer. He is a member of the British Archaeology, the European Association of Archaeologists, the Russian Geographical Society, the Verband der Theaterautor, and UNESCO | IOC. Born in Rio de Janeiro on January 27, 1968.

Marina da Glória | Rio | My Hometown Carlos Eduardo Thompson Alves de Souza Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC Born: Rio de Janeiro on January 27, 1968 |

Marina da Glória | Rio | My Hometown Carlos Eduardo Thompson Alves de Souza Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC Born: Rio de Janeiro on January 27, 1968 |

Marine Archaeological Sanctuaries on the Brazilian Coast — 8,000 KM Carlos Eduardo Thompson | Underwater Archaeologist State of Santa Catarina | Southern Brazil Carlos Eduardo Thompson Alves de Souza is a multidisciplinary figure whose work bridges archaeology, the arts, and exploration. As an underwater archaeologist, he has dedicated significant research to the marine archaeological sanctuaries along Brazil’s extensive 8,000 km coastline, with a special focus on the State of Santa Catarina in the country’s south. Beyond his archaeological endeavors, Carlos is also a Cinema Art Director, Rally Race Driver, Visual Artist, Designer, Fashion Art Director, Poet, Dancer, and Writer. He is a member of British Archaeology, the European Association of Archaeologists, the Russian Geographical Society, the Verband der Theaterautor, and UNESCO | IOC. Born: January 27, 1968 — Rio de Janeiro, Brazil#carloseduardothompson

Marine Archaeological Sanctuaries on the Brazilian Coast — 8,000 KM Carlos Eduardo Thompson | Underwater Archaeologist State of Santa Catarina | Southern Brazil Carlos Eduardo Thompson Alves de Souza is a multidisciplinary figure whose work bridges archaeology, the arts, and exploration. As an underwater archaeologist, he has dedicated significant research to the marine archaeological sanctuaries along Brazil’s extensive 8,000 km coastline, with a special focus on the State of Santa Catarina in the country’s south. Beyond his archaeological endeavors, Carlos is also a Cinema Art Director, Rally Race Driver, Visual Artist, Designer, Fashion Art Director, Poet, Dancer, and Writer. He is a member of British Archaeology, the European Association of Archaeologists, the Russian Geographical Society, the Verband der Theaterautor, and UNESCO | IOC. Born: January 27, 1968 — Rio de Janeiro, Brazil#carloseduardothompson

Carlos Eduardo Thompson Alves de Souza Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC Born: Rio de Janeiro on January 27, 1968 |

Carlos Eduardo Thompson Alves de Souza Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC Born: Rio de Janeiro on January 27, 1968 |

Carlos Eduardo Thompson Alves de Souza Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC Born: Rio de Janeiro on January 27, 1968 |#carloseduadothompson

Carlos Eduardo Thompson Alves de Souza Archaeologist. Cinema Art Director. Rally Race Driver. Visual artist. Designer. Fashion Art Director. Poet. Dancer. Writer. Archaeologist, Member of the British Archaeology, European Association of Archaeologists, Russian Geographical Society, Verband der Theaterautor, and UNESCO | IOC Born: Rio de Janeiro on January 27, 1968 |

Video Concept | Carlos Eduardo Thompson | Frankfurt 2024 “First Crossroads” unfolds as a poetic encounter between body, space, and memory. Set against the architectural rhythm of Frankfurt, the video traces ephemeral gestures that echo moments of transition. Through subtle movement, layered imagery, and atmospheric soundscapes, the work reveals an inner journey suspended between past and future — a contemplative space where identity is questioned, and new artistic paths emerge.

Video Concept | Carlos Eduardo Thompson | Frankfurt 2024 “First Crossroads” unfolds as a poetic encounter between body, space, and memory. Set against the architectural rhythm of Frankfurt, the video traces ephemeral gestures that echo moments of transition. Through subtle movement, layered imagery, and atmospheric soundscapes, the work reveals an inner journey suspended between past and future — a contemplative space where identity is questioned, and new artistic paths emerge.

Concept de Campagne de Marque — Vidéo par Carlos Eduardo Thompson Titre : « L’Essence Dévoilée » Idée Centrale : Un voyage cinématographique qui fusionne héritage personnel, esthétique contemporaine et narration émotionnelle pour révéler l’identité profonde de la marque. La campagne met en avant l’authenticité, l’élégance intemporelle et une connexion humaine qui dépasse les tendances. 1. Structure Narrative Ouverture — Le Pouls Des images abstraites et atmosphériques introduisent des textures, la lumière et le mouvement. Un rythme semblable à un battement de cœur installe une tension poétique. (Ex. : vent dans les tissus, faisceau de lumière, bruits de pas qui approchent.) Partie Centrale — La Révélation L’univers de la marque se déploie à travers des scènes chorégraphiées : mannequins, performeurs ou personnes réelles habitent des espaces évocateurs. Ces scènes expriment les valeurs fondamentales de la marque — savoir-faire, élégance et singularité. (Ex. : une danseuse évolue entre ombre et lumière, vêtue de la collection emblématique.) Climax — La Déclaration Une image ou un moment fort devient la signature de la campagne. L’identité de la marque est révélée non par le logo, mais par l’émotion, la silhouette et le langage visuel. (Ex. : plan en ralenti, gros plans intenses, décor architectural fort.) Conclusion — L’Héritage Le film se termine sur le nom de la marque et une courte phrase poétique. Le paysage sonore s’estompe, laissant une impression durable de raffinement et de sens. 2. Langage Visuel Minimalisme cinématographique, avec un usage poétique de la lumière (tons dorés, contrastes doux ou noir et blanc). Mode et performance s’entrelacent — le mouvement raconte autant que le vêtement ou l’objet. Lieux architecturaux ou naturels comme scènes vivantes (anciennes gares, plages, toits urbains, paysages lunaires pour une approche avant-gardiste). Textures et gros plans pour souligner le savoir-faire et l’émotion. 3. Ton & Émotion Élégant, intemporel et évocateur. Résonance émotionnelle plutôt qu’explication directe. Mélange de dévotion, de mémoire et de modernité — une signature artistique propre à Carlos Eduardo Thompson. 4. Approche Technique & Artistique Tournage avec des caméras cinéma numériques haut de gamme (ex. : Blackmagic Pocket 4K, objectifs Sigma Art). Éclairage maîtrisé avec filtres polarisants et diffusion pour une atmosphère douce. Intégration de chorégraphies originales, voix off ou narration poétique. Montage rythmé en harmonie avec la musique ou une ambiance sonore travaillée. 5. Exemples de Slogans / Taglines « Façonné pour le temps. » « Là où l’héritage rencontre la vision. » « Lumière. Mouvement. Identité. » « Au-delà de la mode — l’essence. »#carloseduardothompson

Concept de Campagne de Marque — Vidéo par Carlos Eduardo Thompson Titre : « L’Essence Dévoilée » Idée Centrale : Un voyage cinématographique qui fusionne héritage personnel, esthétique contemporaine et narration émotionnelle pour révéler l’identité profonde de la marque. La campagne met en avant l’authenticité, l’élégance intemporelle et une connexion humaine qui dépasse les tendances. 1. Structure Narrative Ouverture — Le Pouls Des images abstraites et atmosphériques introduisent des textures, la lumière et le mouvement. Un rythme semblable à un battement de cœur installe une tension poétique. (Ex. : vent dans les tissus, faisceau de lumière, bruits de pas qui approchent.) Partie Centrale — La Révélation L’univers de la marque se déploie à travers des scènes chorégraphiées : mannequins, performeurs ou personnes réelles habitent des espaces évocateurs. Ces scènes expriment les valeurs fondamentales de la marque — savoir-faire, élégance et singularité. (Ex. : une danseuse évolue ent...