ALL FOR NEW LIFE | Cinematographic Plot | Carlos Eduardo Thompson
Cinematographic Plot Carlos Eduardo Thompson In the mold of the medium-length film "All For New Life", the cinematic writing of the script has several dramatic curves with climaxes and attacks through the Art of the Scene. I am aware of this argument, I have seen it in practice. He concludes, by writing in the classical form, that these two situations are necessarily created since they are intricate in the division into three acts. The existence of high points of dramatic tension that he entitles "All For New Life" deviates from the classic scheme in which the climax is the "crowning of the whole story". Synopsis is confused with argument, and the strategy was to avoid inventing a whole new nomenclature to designate the aspects inherent to the construction of a plot. I considered only the main ones as a guiding tool for the execution of the process. If we try to respond to all these moments of narrative tension calculatedly, to result in a precise chain ...
