STYLE CARLOS EDUARDO THOMPSON HERITAGE | KAREN | RIO | BRAZIL
STYLE CARLOS EDUARDO THOMPSON HERITAGE | KAREN | RIO | BRAZIL
Postagens
ROTEIRO DE A ARQUEOLOGA https://docs.google.com/document/d/e/2PACX-1vR-QhFjULQGvk6mcRMBDm2OmYpv7AG9nvvIBTGY5DMJGaDt8MkdsxY42l_-xb3y6g/pub
https://docs.google.com/document/d/e/2PACX-1vR-QhFjULQGvk6mcRMBDm2OmYpv7AG9nvvIBTGY5DMJGaDt8MkdsxY42l_-xb3y6g/pub
A ARQUEÓLOGA | THE WOMAN ARCHAEOLOGIST BRAZIL 2024 DRAMA | FICTION | 60 MINUTES THE ARCHEOLOGIST SPEAKS ABOUT WOMEN ARCHEOLOGIST AND THE DIFFERENT ARCHEOLOGIES THAT WERE ERASED FOR THE MAINTENANCE OF SOCIAL INEQUALITIES AND LIES. The female archaeologist is invisible to cinema and commercial who fiction films treat human origins as unimportant. By taking on the creation of the world's first script on the archaeologist woman the different Archeologies and ways of thinking about the human origin . Carlos Eduardo Thompson | Rio European Association of Archaeologists , Russian Geographical Society , Verband der Theaterautor
A ARQUEÓLOGA | THE WOMAN ARCHAEOLOGIST BRAZIL 2024 DRAMA | FICTION | 60 MINUTES THE ARCHEOLOGIST SPEAKS ABOUT WOMEN ARCHEOLOGIST AND THE DIFFERENT ARCHEOLOGIES THAT WERE ERASED FOR THE MAINTENANCE OF SOCIAL INEQUALITIES AND LIES. The female archaeologist is invisible to cinema and commercial who fiction films treat human origins as unimportant. By taking on the creation of the world's first script on the archaeologist woman the different Archeologies and ways of thinking about the human origin . Carlos Eduardo Thompson | Rio European Association of Archaeologists , Russian Geographical Society , Verband der Theaterautor
OFICINA DE DRAMATURGIA WEB3 DA ARQUEOLOGIA EM MODA | ARTE CÊNICA | AUDIOVISUAL RIO DE JANEIRO FUNARTE | MINISTÉRIO DA CULTURA | GOVERNO BRASILEIRO Carlos Eduardo Thompson European Association of Archaeologists , Russian Geographical Society , Verband der Theaterautor
OFICINA DE DRAMATURGIA WEB3 DA ARQUEOLOGIA EM MODA | ARTE CÊNICA | AUDIOVISUAL RIO DE JANEIRO FUNARTE | MINISTÉRIO DA CULTURA | GOVERNO BRASILEIRO Carlos Eduardo Thompson European Association of Archaeologists , Russian Geographical Society , Verband der Theaterautor
" CICRATIZES " is a visual expression of the thoughts and themes of artist Karen , my wife, divided into three main chapters, “la cicatrice” (the scar), “la ferita” (the wound) and “la guarigione” (the healing), the film evokes the intense pain of wounds that never heal. The tingling on Integrity is an illusion. There is no such thing as invulnerability. Our character is shaped by our wounds. The film combines the aesthetic of artist Carlos Eduardo Thompson with the avant-garde fashion realm of my wife Karen. Film shot on 16mm Kodak Vision Film | Carlos Eduardo Thompson | Rio | Brazil Karen & Carlos Eduardo
" CICRATIZES " is a visual expression of the thoughts and themes of artist Karen , my wife, divided into three main chapters, “la cicatrice” (the scar), “la ferita” (the wound) and “la guarigione” (the healing), the film evokes the intense pain of wounds that never heal. The tingling on Integrity is an illusion. There is no such thing as invulnerability. Our character is shaped by our wounds. The film combines the aesthetic of artist Carlos Eduardo Thompson with the avant-garde fashion realm of my wife Karen. Film shot on 16mm Kodak Vision Film | Carlos Eduardo Thompson | Rio | Brazil Karen & Carlos Eduardo
Contact of Improvisation at an Urban Archaeological Site in Rio de Janeiro | CIUA Copacabana | Design | Draw . Thinking of Improvisation in the cultural - stratigraphic - layers and | or space of the site. Carlos Eduardo Thompson Chacrinha Park | Copacabana | The First House of Copacabana
Contact of Improvisation at an Urban Archaeological Site in Rio de Janeiro | CIUA Copacabana | Design | Draw . Thinking of Improvisation in the cultural - stratigraphic - layers and | or space of the site. Carlos Eduardo Thompson Chacrinha Park | Copacabana | The First House of Copacabana
Contact of Improvisation at an Urban Archaeological Site in Rio de Janeiro | CIUA Copacabana | Design | Draw . Thinking of Improvisation in the cultural - stratigraphic - layers and | or space of the site. Carlos Eduardo Thompson Chacrinha Park | Copacabana | The First House of Copacabana
Contact of Improvisation at an Urban Archaeological Site in Rio de Janeiro | CIUA Copacabana | Design | Draw . Thinking of Improvisation in the cultural - stratigraphic - layers and | or space of the site. Carlos Eduardo Thompson Chacrinha Park | Copacabana | The First House of Copacabana